A Sluggish/Not So Sluggish Writing Start to 2014
Hard to believe that the second month of 2014 is nearly done. (Even though it is the shortest month of the year.) At the end of last year, I set a series of writing goals for 2014, and I noticed that in some ways I’m doing well and in others I am not doing as well as I would have liked. More specifically, I seem to be doing a great job at editing and publish-related tasks on my list. And I continue to make a fair amount of progress when it comes to some outlining. But the actual writing of new material has gone slower than I would I have wanted. I’m not worried yet, but let’s just say it’s something I’ve noticed.
I’ve started two of the short stories I intended to write this year, but have not been back to them in a few weeks. I have character sketches of the stage play I want to finish by the end of the year, as well as a broad outline of the plot. Some great ideas came to me for that last week which may solve a few of the problems I was having. But I haven’t yet begun to write the script. I’ve begun to commit the script of my already written one-man show to memory for later this year.
I’ve been editing Thank You For Ten and I think I’ve chosen the order in which I want the stories in that collection to appear. I have my account at Smashwords and I’ve been talking to some people about the process.
So I have achieved a lot already in 2014 in regards to my words. It just hasn’t been related to creating new stories.
Perhaps the material I chose to start the year with is not the most inspiring to me right now. It’s possible. Perhaps I’m still a bit burned out on creating new fiction after the sprint of Nanowrimo and finishing an entire novel in that for the first time ever. I’d hope it wasn’t that, though. I don’t think it is, but I can’t dismiss the possibility. Then there’s the fact editing and outlining in and of themselves take up a certain amount of creative energy. And since I only have so much of that energy at any given time, I may find myself running low when it comes writing rough drafts of new material. Maybe I’m lazy? Though again, given all of the other work I have done regarding my work, I dismiss that suggestion quickly.
I’ve even considered the possibility that the atrocious winter we’ve experienced on the East Coast of the United States this year has contributed. I have never liked winter, and I haven’t been able to get outside much, without freezing my face off or dodging mud, ice and snow. I haven’t been able to walk as much as I normally would in somewhat better weather. There is a certain quasi-oppression that goes with bad winters. It could be that my creativity is limited to what is already in front of me, or at least to broader ideas and concepts as opposed to precise writing.
But if I think about it too much, it will only make it worse, right? A writer must write, yes, but I have never been one of those “butt in chair every day” types. I don’t respond well to whips, even if I am my own task master.
Then there is the possibility that I am in fact writing. I was thinking earlier today that I should probably stop making a distinction where none exists. I may not be producing new rough drafts of material at the moment as often as I would like, but I am producing writing. The process of good writing is about rough drafts and getting it done, of course. But it’s also about considering how the piece can be improved, marking said improvements and of course actually making the changes. Writing is about staying with one idea for a while, exploring it, asking it questions, seeing if it has the chops to make it as an actual piece. Writing is about setting the stage, (at least for me) and considering the plans. Changing plans if needed. It’s about asking one’s self the difficult creative questions before work begins on a project to which one is committed. And it’s about getting the answers to those questions. In those senses, I have been quite productive with my writing thus far in 2014.
And of course it will even out. It always does. If the short stories I started with don’t click, I can set them aside and work on something that does. That ball will roll again, and in the mean time I keep editing and polishing that which I already have available to me. It’s all getting to the same place in the end, isn’t it?
If you’re in the same situation, let’s try not to be too hard on ourselves. If we can’t write, we can edit. If we can’t edit, we can outline. If we can’t outline we can brainstorm, and if we can’t even do that, we can always read the work of others until our own writing gears are moving once again. Or go to a museum, or listen to music or watch a movie…
How sluggish or productive has your writing of new material been lately? Does it worry you?
Open Letter to a Quiet Hypocrite
For the purposes of this open letter, the subject will be referred to as “Poffenbarger.” -T.U.
Dear Poffenbarger,
I would have used your first name so as to at last be on equal footing with you. Yet I don’t want to seem as though I’m familiar or comfortable with you, even now. In fact, you don’t even deserve the “Mrs”. You were unworthy of the respect I was forced to show you in fourth grade. Wherever you are today I’m confident I’d still find you unworthy of courtesy or respect. You are beneath me, and indeed beneath decent people as a whole, as far as I am concerned. So Poffenbarger it is. Rude, but nothing like how you treated me.
My entire life I’ve had unusual perceptions of the world around me. When I was a child those perceptions combined with a near adult-level sophistication in certain settings. I was simply reacting and speaking and interpreting life from the only place I could and can-my own. It wasn’t until much later I realized what an outlier I was as a child. Until then, I assumed everyone could see what I saw in the universe.
This made for some difficult situations. While a luckier person in such a situation would have been mentored into success, I was more often than not teased, misunderstood, dismissed or ignored, sometimes all of the above by the same people. Sadly, tragically, this included some teachers over the years. With no intention, I impressed if not amazed some of the actual adults in my life. Others were intimidated by me because they didn’t know how to deal with a student that was so ahead in some areas. (Never mind that I was so behind in other areas.)
Other teachers were not even aware I was different in some way, and just went about their business. And a few teachers and other adults found it somehow fascinating or entertaining to be around such a child as I. I could be wrong of course, but looking back I think I was a curiosity to several teachers. A dancing bear, a toy with self-awareness to be explored on occasion and set aside when boredom set in or more challenging levels of intellectual engagement were required. No investment or mentorship followed. Very little positive followed, in fact. I can’t hold you responsible for how other teachers treated me, but you probably fell into this last category. At least at first. However you eventually morphed into your own category; you were something worse.
I concede that both then and now certain things bother me that don’t bother other people due to my sometimes sensitive nature. Yet exactly zero of your actions fall into that category, and you will receive no benefit of any doubt from me.
You see, as part of those unusual perspectives and levels of thinking, a kernel of my consciousness has remained, in essence, the same from my earliest days. At the true center of my being there is a place that the fourth grade version of myself would recognize quite easily. A nine year old Ty Unglebower could walk right into the spiritual and mental sanctum sanctorum of the grown man that now writes this post and feel at home. The walls may have been painted once or twice, and a few new chairs brought in, but believe it or not the child could get around in there. I assure you it is a testament to how mature the nine year old was, and not how undeveloped I am today.
I was not, I repeat, not a normal nine year old. But you already knew that, didn’t you?
Regardless, I was nine. Being a child is being a child and that must be considered by adults who interact with them. The things you did and did not do to me were wrong. They are wrong, and now that you have no power over me it’s time you hear from me about them.
I’m aware of the hellish possibilities of repressed memories. Nonetheless, I truly do not believe you attempted to be sexual with me. My memory is a keen one and I have not suffered most of the other warning signs of having been a child victim of such things. So I’ve concluded I was not. But you did victimize me nonetheless, and I feel confident that I was affected by it for years.
You knew, everyone knew, what sort of relentless bullying I suffered in school at that time. Now I didn’t realize back then that being intelligent made me an even bigger target for such people; I thought I was supposed to be as smart as possible in order to do good at school. But you and all of the other teachers that did nothing about it in that tiny school had to be aware of what a target I had become. I had no true friends and had only the teachers who were supposed to protect me. But instead of finding a way to do your job and keep me safe from any of that, you perpetuated the problem in any number of ways. The worst way was the little private talks you’d always make me have with you.
After almost every gym class there for a while,(during which I would perform poorly) you’d single me out, sit me down, and say such things as, “I’m here for you,” or “I want to see you have more fun” as you’d put your hand on my shoulder. Then you’d offer up that painted-on Romper Room smile you’d use in front of everyone when you were pretending to be cheerful and fun loving. Except during our talks you’d do it four inches from my face as we sat together on a park bench, and it took on quite a different power.
The other kids may not have heard what you were saying during these little mostly one-way chats of which you were so fond, but they could see I was still sitting with you when they went back to change their clothes. And they could see I would come into the next class late with you so you could let the other teacher know where I had been.
It also did not go unnoticed when I was a “special helper” for jobs I had no skill or desire to help you with; you knew from gym class I was awkward and not at all athletic, why have me carry a gym bag twice my size? Were you hoping you could mock me later and curry favor with other students? I’ll get back to that…
It was not unnoticed when you would feed me questions in my ear during field trips to ask our guides…questions I didn’t care about in the first place but would ask anyway because a teacher had told me to do so.
And I can only hope nobody ever knew that one day after yet another one of our (mercifully) non-sexual but obligatory uncomfortable chats after class, you smiled and whispered “I love you, okay?”
Remember that kernel of adulthood I mentioned I’ve always had? It knew even then that something didn’t fit with all of this. Maybe the rest of my nine year old self didn’t process everything around me, and would ask the Park Ranger on the field trip whatever you wanted me to ask him, but that kernel within knew you didn’t love me. At least he knew that if you did, you shouldn’t be saying it. Though some part of me thought I should say it in return to be nice, both that kernel and my nine year old self knew full and damn well I did not love you, so I didn’t say it back. I opted for “okay,” instead.
You might be a mere footnote instead of the subject of this letter had it all ended there. It may have just been a little bit awkward and icky all these years later if it was just the pink heart stickers, songs about sunshine and hands on my shoulder. I could have maybe written that off as unchecked and inappropriate enthusiasm for an unusual student that crossed your path. Everything but the “I love you,” might have been left in the past as I matured, wrong though it all may have been. I say, maybe. But it was your shameless public behavior clashing with such terrible consistency against the “softer” private moments that we shared that angers and disgusts me today, and always will.
What, were you with your tiny mind and unstable emotions angry because an otherwise precocious nine year old boy never told you, “I love you too”? The meaner things did seem to increase after the “I love you” meeting, so I have never been able to dismiss this horrifying possibility.
Or maybe you suffered pathetic levels of insecurity and arrested development and just had to look “cool” when the older students (many of which were my bullies) were watching you. Maybe you were and are simply a psychopath or narcissist. I don’t know the reasons for the dichotomy and I don’t give a shit. I only know the darker side was no more acceptable than the “I love you” side, particularly for a person in authority over children.
You see, Poffenbarger, all the manufactured cartoon cheerfulness in the world cannot hide a shallow heart such as your own. At least it didn’t hide it from me; I knew there was a glaring difference between the two versions of yourself. I knew what a teacher should and should not do, and maybe you knew I knew all of that. Maybe that’s why you treated me the way you did. Maybe a part of you cowered in the presence of a nine year old that knew things and wouldn’t love you.
I knew that as a teacher you don’t laugh from across the room with the eighth graders at something I have said or done, and insult my intelligence by saying later it was about “something else” while casting an obvious smile over your shoulder to said eighth graders. I knew a teacher doesn’t just tell me to “toughen up” and not advise me further when you I was bullied. A teacher does not snap at recess, “If that’s how you want to be, never mind,” when I respectfully try to deflect your requests to come help you fly a kite. Nor does a teacher tell jokes about slamming babies into the pavement in front of a class of mixed ages…an image that stuck in the sensitive child part of my mind for years afterward. Truth be told I still can’t think of that joke without a slight grimace.
You know what else a teacher doesn’t do? A teacher does not have an introduction to trigonometry class consist of a mix of all the grades, I dare say. I don’t even think the vast majority of fourth graders have any business attempting trig in the first place, though I’ll defer to educational professionals on that one. But I don’t have to consult anyone when I say how morally repugnant it is for a teacher to huff every time I would ask a question about what we were doing until finally blowing up and saying, “Ty, that’s the fifth question you’ve asked about this trig assignment today, and if you keep asking me questions I’m never going to get anything else done. Now, do you understand this material or not?”
I love you, okay?
Naturally, as always with the colder side of things you did this in front of the whole class. A class which of course contained some of my bullies. (Which you knew.) No surprise, I lied at that point and said that yes, I suddenly understood the trig assignment. Clinometers, Calculators, and Camels you called the assignment, and I doubt I’d be able to do it even today, but I lied to everyone under pressure and claimed I could do it at age nine.
All of these things illuminate just how heartless, corrupt and morally bankrupt you are. Yet the worst example of your failure as a teacher and as a human being came during the volleyball unit we had.
We used a beach ball, and we were practicing serves. In your typical and sickening, plastic fashion you laid out specific steps we were to follow in regards to different volleyball skills. (“You spread your hands wide, like there is just too much sunshine inside of you and you have to let it out!”) Then each student would take turns applying the supposed lesson.
When my turn to serve came, I didn’t do well. I hit it wide to the right and out of bounds. My height and my lack of athletic skill meant that such a result was likely.
So what did you do? How did my teacher, the one who sang of rainbows and swans, made me her little helper and told me she loved me when we were alone respond to my bad serve?
With a loud, “booo” and a thumbs down.
I was a child, you were my teacher and you booed me you vindictive, duplicitous bitch.
I love you, okay?
I got through the rest of the class trying not to let anyone know how humiliated I was. I talked and joked with my few so called friends for the remainder of the lesson, saying what I calculated to be Ty-type things so as to complete the facade of indifference, but feeling unattached to every word. I think that was one of my first performances, years before I did theatre. I was playing the uninjured Ty.
With great effort I simulated a casual demeanor that couldn’t have been further from how I was feeling. I pushed lighthearted words out of my dry mouth and into the threatening ether of an elementary school gym class. Through the heaviness of a clenched chest and by way of hot facial muscles practically ripping apart with concealed pain I said the things Ty would say when not in such distress. I don’t know if I succeeded, because anyone who would have noticed the pain would probably have not been worried about it anyway.
The boo would have been hurtful coming from any teacher, but especially from the one that walked around like she lived on Sesame Street, and whispered that she loved me. (Even though I never believed that you did.) You did that to me, Poffenbarger, and I have never forgotten it. Nor have I forgotten what came next.
When class was over I initiated a little private meeting myself this time, the first and only time I did so. We hadn’t been meeting quite so much anymore, (Could it be because I never said “I love you too”?) but the nine-year old was hurt and the kernel told me I had every right to address the situation in a polite manner after the other kids left.
“Mrs. Poffenbarger,” I said as the faux-nonchalance at last began to crack, “I don’t appreciate you booing me.”
Perhaps a nine year old has no real business talking in such a manner, but there I was being honest, vulnerable and dare I say it, brave in the only way I knew-with words.
I didn’t cry at school often, and I didn’t then, but I almost did. Even now I don’t like admitting that I almost cried, but am still amazed I didn’t.
Your response?
“Oh give me a break! Reggie Jackson gets booed by thousands of people every single day. You think it bothers him?”
Being nine and me, I didn’t know who Reggie Jackson was at the time, but I concluded he was a professional ballplayer of some kind. I also concluded that I was not, and that it wasn’t a fair comparison at all. I don’t remember if I ever got to make that point though. Probably not, because before long you pulled a page out of your trigonometry class book of spells. I think you huffed and asked if I was “fine”, put a now much colder hand on my shoulder and sent me on my way to the changing room to be teased.
I love you, okay?
It’s a good thing I don’t have a yearbook from that year anymore, because if I had, I don’t know if I’d be able to sleep at night knowing that any facsimile of your face was in my home. Not that I would need it; your face still appears in the back channels of my mind at times. Whenever I hear of bullying, or the complicity of authority in same, I see you. When I hear that a child has been failed or worse manipulated by the adults in their life, I see your face. When I meet yet another empty shell of a human being that pays lips service to warmth by displaying cosmetic cheerfulness and love only to contract into the invertebrate filth they truly are the minute it becomes inconvenient to live up to the Candyland image they have constructed, I see your face,
But sometimes I see your face without any provocation, and those are the worst times. When that happens, I also see my classmates growing smaller in the distance as they make their way back to the schoolhouse. I once again wish I was traveling back with them, even though none of them stood up for me when I needed it. I feel the late Maryland spring on my skin, and see the breeze blowing your hair into your eyes as you pat the empty space on the park bench beside you. Once again I watch your gym sneakers on the sidewalk, wishing I could look at only them once you instructed, “look at me.”
I hear your voice…soft and upbeat to the point of song, and yet still revealing both a slight threat and a complete emptiness that even an unusual nine year old should never have to detect from his teacher. I note how your register lowers and your head tilts to the left as you once again utter the words that echo in the hallow, dark chambers of memory to which I have tried to consign you:
“I love you, okay?”
And when this happens? When I’m transported like Scrooge into the middle of a vivid, three-dimensional recreation of a moment in my past best left unthought of? I want only to spit in that smiling face…to run from it and catch up to the rest of the class. To seek you out in person today and tell you something in person that I almost never actually say to another person. I don’t know where you are, and it’s probably best, but what I can’t say to you in person I will say at the end of this open letter:
Fuck you.
This post is part of the Open Letter Continuum.
It’s a Business. Every…Single…Time
A much beloved ball player goes to play for his city’s arch rival without the slightest bit of regret. From him we hear, “hey, sports is a business.”
A highly intelligent, groundbreaking television show with a vehemently loyal fan base that happens to be the wrong age and thus isn’t profitable overnight is cancelled after half a season, without getting off the ground. “Entertainment is a business,” the networks tell us.
Regional theaters and Broadway alike more and more have started showing jukebox musicals and derivative plays based on the same public domain work over and over instead of increasing our cultural depth and breadth with new, challenging material. Why? Because “theater is a business.”
Literary agents, publishers, and authors lucky enough to win the publication lottery advise writers to jump through 400 hoops, study a dozen or so trends, establish their own marketing platform and pimp out their names (if not change them to something more palatable) before they commit a single word of their fiction to the page. Remember, they say, “publishing is a business.”
This very blog you are reading. WordPress ropes me into a certain kind of plan for this blog that includes no advertising, only to decide without warning that suddenly my plan would include “unobtrusive” ads at the bottom of my blog posts. If I want them to go away, I now have to buy the extra super duper premium platinum heaven WordPress package for twice as much money. And you’re a fool if you think that if I purchased it, WordPress would never create a higher tier in the future, and stick me with ads with the justification that, “web hosting is a business.”
It’s a business. It’s a business. Business. Business.
Business.
Business.
Business.
Bullshit.
This is not a socialist rant against capitalism, (though it is a broken system in many ways.) Businesses do exist, and they have a right to. But when did the concept of business become a secular deity? When did the simple, respectable and necessary concept of both paying ones bills and making some profit become the all encompassing, soul-destroying, life-absorbing universal force of spirit death it is today? Why is any and all behavior, any aesthetic, any vision or problem or longing or desire or need or passion evaluated through the lens of business?
When did we redefine business failure as anything less than economic hegemony? When did risk, cooperation, community involvement, vision and creativity become wholesale victims to the quarterly reports that practically scream year after year, “Protect the billions at all costs! Don’t stand up or make a sound! If they ain’t payin’ we ain’t playin’. ”
I don’t know when all of it happened, but I know that we are there now, have been for a while, and show no signs of evolving beyond it. And I say “evolving” because the business-oriented mantras I have described are indicative of immature industries and individuals specifically, and an undeveloped (or ailing) culture as a whole.
It’s a culture that believes and trains every child to believe that the higher the numbers the better, regardless of how the numbers get higher. It is a culture that eschews values such as loyalty, trust, community, curiosity, creativity, artistry and stability. A culture whose language about matters business has become almost Orwellian in its surrealistic simplicity, i.e., changing or dismantling a brand or concept on which millions still rely for simple daily comfort if not essential productivity and then telling the horrified masses, “We did this all for you! You’ll love it, even if you didn’t want it!” Never mind that the old model with which everyone is already comfortable continues to bring in X amount of profit. This is a business, and they have discovered a way to stiff happy consumers and bring in 5X in profit instead. And if it ain’t at least 5x, it’s a failure. That’s being a business in more and more circles today, and it’s not limited to huge corporations either. Modest family business are also becoming infested with this approach.
And we tolerate it. We keep buying the lousy cookie cutter books that the Big Six publish. We go see the increasingly vapid 300 million dollar “Blow Them Up” movies with the same plots as the last eight 300 million dollar “Blow Them Up” movies. We let cheating athletes into our Halls of Fame, recognizing that “it’s part of the game now,” and because everybody still loves Johnny Roid anyway, along with the millions he soaked out of whatever team free-agency put him in before he retired in (all too temporary) disgrace.
We don’t reward people or companies that consider combining profit with improving lives as crucial to their mission statement. We burn a big red “C” for “coward” or “I” for “idiot” onto the faces of people who seek economic models on either the local or national level that run against this grain, or that might, (Heaven forbid) actually allow the wealth of a company to improve the health and well being of the community in which it resides.
Studios can still make a profit on movies without behaving this way. Publishers can still make a profit without publishing books this way. Athletes can still enter retirement as ludicrously wealthy people all because they were adults who played a game for a living without acting this way. Important ideas, innovative formats, geographic loyalty and just plain humanity can coexist with business, if we want it to. But it appears we don’t want it to, and I shudder to think at how many movies or books, or even medicines have gone unmade because of it.
How about we give honorable behavior a try? Or art for arts sake? Or having to think even as we recreate? How about we try establishing roots and teaching our children that making a million dollars and paying our bills while also being noble is in fact better than making 25 million dollars and not giving a damn how it happens, so long as it does? The other way has had plenty of chances to prove its best for society. It has failed to do so, don’t you think?
Upcoming Project: Thank You for Ten
In the theatre world (in which I have spent a great deal of time), the stage manager has many jobs. One of them, on the nights of a performance, is to move throughout the theatre finding actors and letting them know how long they have until the show starts, usually in minutes. If ten minutes remain, they will announce to the actors that are hustling about, “Ten minutes.”
At which point, just about every actor that isn’t a total rookie, (I’m talking about 98% here) will respond to the warning by saying, “Thank you for ten.” It’s a courtesy response, but it’s also to let the stage manager know that you are duly informed of what time it is.
Like any good writer, I have commandeered the phrase for my own purposes, though it’s not as far removed from its original purpose as you might think. Today I am announcing that I will be self-publishing, Thank You For Ten: Short Fiction About a Little Theatre.
As you may have guessed by now, the “ten” in question here refers not to minutes before curtain, but to a number of stories. Thank You For Ten is to be a collection of ten of my short stories, written last year, all of which take place in the same theatre.
Which theatre? This one. They are all set in the same place my novel is set in. Since the playhouse in my novel is very much a character in its own right, reading this collection of short stories will act as a sort of introduction to the Little Dionysus Playhouse.
The stories are from different angles, points of view, of different tones and with varying themes, all tied together both by basic theme and setting. While none of the main characters from my forthcoming novel appear for any significant amount of time within the short stories, the mood and spirit of the novel, I think, is there in all ten stories. You won’t have to read the stories to understand the novel, nor read the novel to understand the stories. Rather, each work complements the other.
Having gained some confidence in the area of self-publishing through my experiences with my recent Nanowrimo novel and having some patience friends who have been through this process before, I feel ready to take on this small challenge. I hope to have it all set and ready for download, (or printing, some things have to be worked out) by summer. Until then I will keep you updated on my progress, and share thoughts about the stories in general.
Whether you have intimate knowledge of community theatre, know someone who does, or just feel moved by the plight and privilege of the creative artist, there’s something waiting for you within Thank You For Ten: Short Fiction About a Little Theatre. I look forward to sharing these with you.
